A new book.

Laurie Anderson is one of the most revered artists working today, and she is as prolific as she is inventive. She is a musician, performance artist, composer, fiction writer, and filmmaker (her most recent foray, Heart of a Dog, was lauded as an experimental marvel by the Los Angeles Times). Anderson moves seamlessly between the music world and the fine-art world while maintaining her stronghold in both. A true polymath, her interest in new media made her an early pioneer of harnessing technology for artistic purposes long before the technology boom of the last ten years. Regardless of the medium, however, it is exploration of language (and how it seeps into the image) and storytelling that is her metier. A few years ago, Anderson began poring through her extensive archive of nearly forty years of work, which includes scores of documentation, notebooks, and sketchbooks. In the process, she rediscovered important work and looked at well-known projects with a new lens. In this landmark volume, the artist brings together the most comprehensive collection of her artwork to date, some of which has never before been seen or published. Spanning drawing, multimedia installations, performance, and new projects using augmented reality, the extensive volume traverses four decades of her ground-breaking art. Each chapter includes commentary written by Anderson herself, offering an intimate understanding of her work through the artist s own words.

Illuminating the photographer's contributions to New York's Downtown art scene and her acute feminist work Photographer Marcia Resnick (b. 1950) earned recognition as part of the legendary Downtown New York art scene of the 1970s and 1980s. Her portraits of the era's major cultural figures, such as Jean-Michel Basquiat, John Belushi, and Susan Sontag, have contributed to the scene's mythic status. Against this backdrop, Resnick also produced a significant body of work that engaged with the history of art, took a humorous approach to conceptual art and feminism, and proposed new ideas for what photography could be. Spanning the artist's career, this richly illustrated volume explores Resnick's early influences and education at Cooper Union and CalArts; discusses her series and photobooks such as See and Re-visions; and situates the artist's work within the history of contemporary art. An afterword by Laurie Anderson speaks to the very personal vision of Resnick's photography. Published in association with the Bowdoin College Museum of Art, George Eastman Museum, and Minneapolis Institute of Art Exhibition Schedule: Bowdoin College Museum of Art, Brunswick, ME (February 24-June 5, 2022) Minneapolis Institute of Art (August 13-December 11, 2022) George Eastman Museum, Rochester, NY (February 10-June 18, 2023)

Marlene D. Morel is an emotionally troubled Chinese-American teenage girl growing up in Utopia-Zurich, Switzerland. To avoid her drunk, abusive father, who is the Swiss version of Oscar Wilde and her American mother, a has-been soap opera star, who has no interest in her chubby, slant-eyed daughter, Marlene spends most of her time hiding inside the warehouse, which houses the family business, Morel Theatrical Costumier. Preferring life among mannequins, props and costumes, Marlene has created over the years, a life of make-believe, where her imagination runs rampant. Trouble is, unbeknownst to her, she's also created an alter-ego named Bad Egg who happens to be a 'toon' and who wants to eliminate Marlene's personality all together. And to make things worse, Bad Egg has also created an alter-ego in the form of Kali, the Hindu Goddess of Sex and Destruction who plans on murdering Marlene's abusive father. Between these three out of control personalities, not to mention, Marlene's difficult circumstances with both parents, the poor girl ends up in a mental institution. With the help of a Jungian psychologist named Dr. Karin Sommerfeldt, Marlene D. Pig-Ponies is a cross between the films, One Flew Over the Cuckoo's Nest and American Beauty.